A sweet semi-fitted jacket with a toggle closure that takes it to another level of interesting and flattering. The sleek lines often seen in body-skimming French clothes work on many body types, including my 5'8" Rubenesque frame and Marcy's 5'5" shorter figure. It's a sure winner when a pattern looks this good on both of us!
Interface the pocket facings and fronts as shown on the pattern. Check the front pieces carefully so you stitch the pocket facings on the correct edge of the jacket front.
Using blue masking tape to label each piece is a really good idea here.
The whole jacket would be stunning constructed out of a soft leather, suede or lightweight Ultrasuede.
This pattern can be used with a sturdier knit like a ponte or a stretch woven. Marcy has lots of fabulous wovens that would be great in this jacket including: Sissinghurst Cotton panels, Grey or Moss Plaid cotton, Blue Cat Stretch Denim, Grey Denim Dot, Versaille, or Black Velvet Denim. (I do love denim in all its incarnations!) Knits that would work well include: Sherlock Houndstooth, Calais or Tin Tin (all of which could be combined with Stanford or Leland), Obsidan and Stone Grey.
Pre-shrink the fabric with washing and/or steaming as you want to avoid any shrinking once the pieces are cut.
The center front panels, both large and small, are cut exactly the same, with the fabric ‘right’ side up. Each side of the front uses a large panel and a small panel but in opposite ways. On the right front the small panel is on the front (top layer) and the larger panel becomes the facing. On the left front the large panel is on the front (top layer) and the small panel becomes the facing.
This is counter-intuitive so be sure you understand this to avoid using your seam ripper...
Interface the pocket facings and fronts as shown on the pattern. Check the front pieces carefully so you stitch the pocket facings on the correct edge of the jacket front.
Using blue masking tape to label each piece is a really good idea here.
If
using leather, make sure it's soft. (I used a piece of black shiny
leather on the sample and must admit it reads 'plastic' to me in the photos.)
The whole jacket would be stunning constructed out of a soft leather, suede or lightweight Ultrasuede.
Use a piece of computer paper on top of the leather to assure that things work smoothly. And of course practice, practice, practice.
Use a purchased toggle or make one. When sewing leather remember to make
sample pieces (I use a Teflon foot and a #90 needle). Double-faced tape
holds the leather in place in lieu of pins. Two buttons back to back will give the toggle more heft.
Leather can be pressed but best to use a dry iron (it is a skin after all). Make an extra long strip about 1" wide; fold in half, press and stitch 1/8" from the folded edge. Then trim the 'raw' edges close to the stitching so they are straight. Next cut the strip into two shorter pieces, one that can be threaded through a button or stitched to a button and he other knotted into a loop.
Place the finished toggle parts onto the pattern pieces to determine final placement and make any necessary adjustments before stitching to the jacket.
Toggles can be really fun to make but if you don’t want to use a
toggle closure you could make a tie from self-fabric or use a lovely
ribbon.
This pattern can be used with a sturdier knit like a ponte or a stretch woven. Marcy has lots of fabulous wovens that would be great in this jacket including: Sissinghurst Cotton panels, Grey or Moss Plaid cotton, Blue Cat Stretch Denim, Grey Denim Dot, Versaille, or Black Velvet Denim. (I do love denim in all its incarnations!) Knits that would work well include: Sherlock Houndstooth, Calais or Tin Tin (all of which could be combined with Stanford or Leland), Obsidan and Stone Grey.
This Thanksgiving Day
I am grateful for so many things
one of which
is the simple joy of sewing.
Much appreciation and love
to everyone reading this.
As always, happy stitching!
